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Golding goes clearly beyond realism when he describes the pig’s head on a stick which “speaks” to Simon and the way in which the boys kill the sow. These adolescent boys are “wedded to her in lust”; their method of killing her implies a sexual awakening:

The sow fell and the hunters hurried themselves at her….she squealed and bucked and the air was full of sweat and noise and blood and terror. Roger ran round the heap, prodding with his spear whenever pigflesh appeared. Jack was on top of the sow, stabbing downward with his knife. Roger found a lodgment for his point and began to push till he was leaning with his whole weight. The spear moved forward inch by inch and the terrified squealing become a high-pitched scream. Then Jack found the throat and the hot blood spouted over his hand. The sow collapsed under them and they were heavy and fullfilled upon her(p.125).

The spear is an obvious phallic symbol, and it is significant that it is a sow (a female pig) and

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