英译汉,有请牛人.第五段,一会儿还有.

来源:百度知道 编辑:UC知道 时间:2024/06/09 03:13:52
But this Trinity chapel was the outcome of several changes of plan and intention. These changes are detectable only in the fabric : the account of the Burning and Repair of the Cburcb of Canterbury written by the monk Gervase, a unique medieval document in its careful description and comparison of the church before and after the fire, is the basis of all modern into the structure, but it gives no hint of what were evidently substantial changes of mind. Gervase stresses the monks’longing to return to their choir and their concern to reinstate the burials that had been displaced by the fire and fire and the rebuilding. He pays little attention to the Trinity chapel, yet research show that the original idea was to place it on the same level as the as the choir,possibly on a centralized plan, but polygonal in form.

但是,三神合一的礼拜堂是在原来的计划和目的上做了一些改动的结果.这些改变只能在其内部构造中觉察到:修士Gervase写的<<坎特伯雷的Cburcb的烧毁和修复报告>>,是仅存的对教堂烧毁前后对比有详尽描写的中世纪文献,是现代时髦建筑的基础,但它并没有暗示说理念上有什么明显而真正的改变.Gervase强调修士们渴望回归到唱诗班和他们所关注的恢复埋葬,这种被火灾和灾后重建转移了注意力的事情上去.他没怎么关注三神合一的礼拜堂,但研究表明,最初的想法是把它放在与唱诗班同级的位置上,或许想以多边的外形掩饰集权的目的.

不过,这三一教堂的结果,若干变化的计划和打算。这些变化是无法检测的,只有在面料:该帐户的燃烧和修理的cburcb坎特伯雷书面被和尚gervase ,这是一种独特的中世纪文件,在仔细描述和比较的教堂前,火后,是基础所有现代进入结构,但它没有给暗示什么明显实质性变化的心态。 gervase强调僧人向往回到自己的合唱团和他们的关注,借以重新墓葬已被淘汰的消防和防火和重建工作。他并没有重视到三一教堂,但研究表明,原来的想法是把它摆在同一水平,因为作为合唱团,可能是一个集中的计划,但是在多边形的形式