UC知道谁帮忙翻译一下中文翻英文，谢谢！我急用
来源：百度知道 编辑：UC知道 时间：2024/05/12 16:14:47
小论当代美术情况
孔令伟著.《中国美术简史》本书想我们介绍了20世纪三四十年代，画坛一流大家多为传统文人画家，其画家的阵容要比写实主义画家阵容大，越到后来，写实主义也愈来愈向传统文人画转向，如：徐悲鸿在这个时期贬斥印象主义，野兽主义画家的绘画，称“P.A雷阿诺、塞尚、马蒂斯的作品为“无耻之作”甚至还称塞尚为“塞上奴”称马蒂斯为“马踢死”，徐志摩则为之辩护，力争这些新派画家的艺术地位和价值，从当时的国情来看，画家们学习印象主义以后艺术的人较多，学习古典油画的画家较少，学习西方流行艺术的较多，而真正掌握古典油画技巧的画家也比较罕见，徐悲鸿认为中国需要的是写实主义和古典主义，这是中国自身的问题和需要决定的，同时他也开始尝试国画创作，他对现实主义的改造，极大的推动国画人物画的现代转型，从而使新写实主义超越传统主义，现代主义成为当代国画的主流而他对传统文人画的极力推崇也表明了在他内心深处存有深刻矛盾情结。
姜寿田著. 《当代国画流派地域风格史》讲述了都市水墨，以传统水墨表现现代都市人的生存状态，开拓了国画人物画的新的审美空间。由于抗日战争的全面深入，写实主义地有所提升，这是因为社会现实政治对写实主义的功利性需求而产生的促动，它并没触及中国绘画的现代性问题，后来50年代以后写实主义的恶意膨胀发展正是写实主义意识形态化的结果，至此，中国现代美术已背离了现代性的目标，美术已异化为政治服务的工具的各个当代国画流派地域风格。
Literature Review
On the situation of small contemporary art
Kong Lingwei with. "Brief History of Chinese Art" We would like to introduce the book in the 20th century Sansishinian's, the art world-class people more than the traditional literati painters, the painters of the lineup than realism artist lineup, the later, Realism And increasingly shift to the traditional literati paintings, such as: Xu Beihong during this period Bianchi impression, and animal painters of the painting, said "PA Leia Nuo, Cezanne, Matisse's works as" the shameless " Cezanne said that even as "stuffed slaves," said Matisse as "Ma Tisi," Xu Zhimo for the defence, and strive to these Xinpai painter's art status and value, from the situation at that time, artists learn impression After the art of the people more, the study of classical paintings of artists less, learn more Western pop art, and truly master the techniques of classical