UC知道求助：英文翻译~~~英译汉~
来源：百度知道 编辑：UC知道 时间：2024/05/31 11:58:00
1 Gestalt Psychology and the Part–Whole Distinction
2 Two features of the Gestalt psychology research on part
versus whole perceptions are relevant to our work on holistic design types. First, the general idea of part–whole perceptual
differences was one of the pioneering contributions
of early Gestalt psychologists (Koffka 1922; Wertheimer
1925).
3 For example, consider one colored dot versus a
grouping of colored dots versus a whole painting in the
classic pointillism style.
4 A single painted dot might look ominous when seen alone, but it adds richness to a flower that is part of a still-life painting of a bouquet.
5 Likewise,any one of the pure dots of color taken in isolation fails to convey the painting itself, but content and meaning emerge
from the orchestration of numerous parts to construct a far
richer perceptual whole.
6 Second, Gestalt psychology also recognizes the importance of stimulus categorization, th
2 Two features of the Gestalt psychology research on part
versus whole perceptions are relevant to our work on holistic design types. First, the general idea of part–whole perceptual
differences was one of the pioneering contributions
of early Gestalt psychologists (Koffka 1922; Wertheimer
1925).
3 For example, consider one colored dot versus a
grouping of colored dots versus a whole painting in the
classic pointillism style.
4 A single painted dot might look ominous when seen alone, but it adds richness to a flower that is part of a still-life painting of a bouquet.
5 Likewise,any one of the pure dots of color taken in isolation fails to convey the painting itself, but content and meaning emerge
from the orchestration of numerous parts to construct a far
richer perceptual whole.
6 Second, Gestalt psychology also recognizes the importance of stimulus categorization, th
1.格式塔心理学和部分整体的区别
2.两个特点格式塔心理学研究的一部分
相对于整个观念是我们的工作有关的整体设计类型。第一，总体思路的一部分，整体感知
差异是一个开创性的贡献
早期格式塔心理学家（科夫卡1922年;威特海默
1925 ） 。
3.例如，考虑一个色点相比
分组彩球与整个绘画
经典pointillism风格。
4.一个画点时，可能会被单独不祥，但它增加了丰富了花卉的一部分，静物画的一束。
5.同样，任何一个纯粹的圆点的颜色不能孤立地采取转达绘画本身，而是内容和含义出现
从编排了许多地方建造一个远
丰富的知觉整体。
6.其次，格式塔心理学还认识到，必须刺激分类，但更多的刺激承认。
7.考虑数字地面的区别，其中两个设计可能也有类似的功能，但是不同的条款
的是更加突出的（数字） ，哪些是
处理更多的背景。
8.就是一个典型的例子
所谓鲁宾花瓶（命名埃德加鲁宾，丹麦
心理学家谁研究此类图片） ，花瓶，脸，
数字地面扭转刺激。论乍一看，人民
可以分类的形象是一个白色花瓶反对
黑色的背景，而仔细研究可能揭示两个
人头面临对方的轮廓下巴，嘴唇，
鼻子，和其他面部特征概述的形状
原来的花瓶。
那年很美