求毕业设计英语摘要翻译,200个分~

来源：百度知道 编辑：UC知道 时间：2024/05/31 17:26:06
徽州的建筑无论是明澈透亮的天井；还是高峻腾飞、跌落有致的马头墙；还是清新明朗的天井；还是形象凸现，生机盎然的三雕，都体现了徽派建筑的共同的特色。这些是徽派建筑最具代表性的符号特征，是我们进行当代徽派建筑实践可以借鉴并从中汲取营养的源泉。然而这些传统符号特征仅仅是依附于建筑外部的表象，真正能体现徽派建筑本质的是建筑本身所隐含的文化内涵，所以说传统徽派建筑符号只是一种表面存在形式，符号的借用可以认为是一种手段如果没有这些，就没有了徽派特色的建筑符号，当然也不能成为徽派建筑。如果把这些特色的元素容入到室内设计，不但能体现出室内装饰的恢弘、美观以及色彩的特别，更能体现出一种装饰的特有之美。所以本文通过对徽州民居建筑和传统雕刻的分析,提出在利用传统徽州图形艺术的基础上,创造出新的设计形象,以此体现传统艺术与现代设计在文化价值观上的统一,充分展现地方的传统文化底蕴。
回答好再追加啊~~

Huizhou architecture is plain to the courtyard translucent; Still high and steep takeoff to a drop in Ma Tau wall; or fresh uncertainty to the courtyard; or image highlights, full of vigor of the three birds, Anhui has been embodied in the construction of common characteristics. Hui-style architecture which is the most representative symbols characteristics, We conducted contemporary architectural practice in Anhui can draw on and learn the source of nutrition. However, these traditional symbols of the construction is only dependent on the external surface, Anhui truly embodies the essence of architectural building itself is implied by the cultural connotation, So Anhui in the traditional architectural symbol is a form of the surface, Borrowing symbols can be considered a means of the absence of these, there is no building in Anhui characteristics symbols, Of course, we could not become Anhui construction. If these features are elements of capacity into interior design, it will not