UC知道一篇文章英译中（急用）-满意追加50
来源：百度知道 编辑：UC知道 时间：2024/05/21 10:48:45
Touch and Tactility
Monika Fleischmann
Building on the myth of narcissus, fleischmann’s liquid views installation(in collaboration with Christian bohn and wolfgang strauss) provides a commentary on human desires to understand and possess onself, and the power of mirrors and water as a metaphor for this quest. liquid views adds touch to the metaphor and reflects on technology as an aid and hindrance to the quest to know ourselves. viewers see a horizontal projection screen filled with projected water that invites finger stroking. Fleischmann’s web site explains the importance of the narcissus myth:
Narcissus drowned in himself. . . . the access to the self remains closed. The central theme is the transition from the upper to the lower world, the transition from the rational world to the spheres of unconsciousness and vice versa….the narcissus of the media age is watching the world through a liquid mirror that questions our normal perception. A glass mirror ha
Monika Fleischmann
Building on the myth of narcissus, fleischmann’s liquid views installation(in collaboration with Christian bohn and wolfgang strauss) provides a commentary on human desires to understand and possess onself, and the power of mirrors and water as a metaphor for this quest. liquid views adds touch to the metaphor and reflects on technology as an aid and hindrance to the quest to know ourselves. viewers see a horizontal projection screen filled with projected water that invites finger stroking. Fleischmann’s web site explains the importance of the narcissus myth:
Narcissus drowned in himself. . . . the access to the self remains closed. The central theme is the transition from the upper to the lower world, the transition from the rational world to the spheres of unconsciousness and vice versa….the narcissus of the media age is watching the world through a liquid mirror that questions our normal perception. A glass mirror ha
接触并且触觉Monika弗莱希曼(建立在神话的水仙上)， fleischmann的液体意见安装(与基督教徒bohn 和wolfgang strauss合作)预防关于人的一条评论想理解并且拥有自己，以及作为这个寻求的一个隐喻的镜子和水的能力。 液体意见给隐喻添加触摸并且考虑作为知道自己的一帮助和妨碍在寻求的技术。 观众看见一充满邀请手指击的计划水的水平投影屏幕。 弗莱希曼的网站解释水仙神话的重要性： 水仙自己淹死 . . . . 自我的入口保持被关闭。 中心的主题从上面到更低的世界，来自合理的转变是转变 世界给反之亦然的人省不事的领域 ….媒介年龄的水仙看世界通过一液体镜那问题我们的正常的知觉。 一面玻璃镜没有保留我们的形象的内部生命， 数字式图象，不过，可以被储存，操作，幻觉的图像在镜子的另一边起源， 这通常不易接近我们。