论文摘要翻译！很着急！

来源：百度知道 编辑：UC知道 时间：2024/06/04 06:12:23
【摘要】中国画重精神学说，其主要表现就是借物写心，借景抒情。所以说中国画家笔下的客观物体，实际是作者精神追求的载体，因此“意境”对中国画而言就象是它的灵魂。诗意是意境中最为含蓄的一种境界。旨趣含蓄，让观者自己感悟出来。诗境与画中的意境的同一性和互补性以及诗境的创造与中国画意境的创造艺术手法的一致性使中国画与诗共生。诗境与画境完美的统一，使艺术作品最终体现人类文明向往的文化精神。因此，从古典传统入手，使艺术植根于博大的民族文化，在技法和精神内涵两方面多做突破，使当代中国工笔画的表现方法日趋完善，才能让工笔画呈现一个新风貌。

关键词：工笔画 诗境 渗透

不要在线翻译 要人工翻译 非常感谢

20分请不来专业的..

Abstract heavy spirit of Chinese painting theory, and its main performance is by writing of heart, lyric by King. So the Chinese artist's impression of the objective objects, the actual spirit of the pursuit is the author of the carrier, the "mood" in terms of Chinese paintings as it is the soul. Poetic mood is one of the most subtle realm. Purport subtle and let guests from their sentiment. Poetry and painting in the mood of unity and complementarity as well as the creation of poetry and artistic conception of Chinese painting to create art approach to the consistency of Chinese painting and poetry symbiotic. Poetry and painting throughout the perfect unity, so that works of art ultimate embodiment of human civilization and the spirit of longing for the culture. Therefore, from the start with classical tradition, so that art is rooted in the rich national culture, in the spirit and content of the two techniques do more breakthroughs, so that the