请帮我翻译下（中译英）

来源：百度知道 编辑：UC知道 时间：2024/06/06 11:30:54
从上世纪末开始，青春文学开始在图书市场上崭露头角，成为一大热点。从韩寒的《三重门》到《光荣日》，从郭敬明的《幻城》到《悲伤逆流成河》，从张悦然的《葵花走失在1890》到《誓鸟》。无一不是销量大到惊人。2003年以后青春文学快速崛起，2004年繁华一时，2007年青春文学再度新崛起，引发社会各个领域的思考与争论，再次成为焦点。当代青春文学的成长与发展离不开“新概念”和“80后”这两个关键词。我们不妨这样来看待“新概念”、“80后”和青春文学三者之间的关系，打个不恰当的比喻就是“新概念”是土壤，“80后”是在这方土地上萌发的芽儿，而青春文学就是最后结出的果。当然，当代青春文学存在着相当多的一部分问题，值得我们探究和思考，从这类青春文学中的人物来看，我们能感受到很浓重的悲凉、孤独、忧伤的气息。这到底是是成长的忧伤还是故作深沉的伤感？

Begin from the end of last century,Youth Literature became best sellers in the book market.From Han Han's Three Doors to Glorious Days, from Guo Jingming's Imaginative City to River filled with Sorrow, from Zhang Yueran's Kui Hua lost in 1890 to Promise Bird,all of them sells well. Quick rising of Youth literature after 2003,getting prosperous in 2004,and rising again in 2007,which became focus and caused thinking and debate among different areas.Nowadays,the development of Youth Literature is closely related with two key words "New Concept" and "after 80'".Let us look in this way, New Literature is soil," after 80's is the spring growing from the land, and Youth Literature is their fruit. Of course,there are many problems among Youth Literature which deserve thinking. From characters in those works,we feel an atmosphere of sad,loneliness. Is it the sad of grow up or intentionally written in sorrow tone?