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来源：百度知道 编辑：UC知道 时间：2024/06/15 11:31:02
Ballet performed today differs greatly from its origins. Originally the term ballet was applied to Renaissance dances of the Italian court. Only men performed, as any form of acting was considered disgraceful to women. Men dressed as women danced female parts. Though ballet is often considered French, the first ballets were danced in Italy. However, as ballet progressed, the French became the innovators of modern ballet.
French forms of ballet introduced ballet for both men and women. Female dancers were still rare. Many of the moves of the modern form derive from the French introduction of court ballets commissioned by Catherine de Medici in the 1500s. Because of the female dress fashions, the moves of men were more important than those of women. Women’s feet movements could barely be seen underneath their long skirts. Full skirts, elaborate wigs, and later corsets further hampered women’s dance. High heels worn by both men and women restricted jumping, as landing was precarious
French forms of ballet introduced ballet for both men and women. Female dancers were still rare. Many of the moves of the modern form derive from the French introduction of court ballets commissioned by Catherine de Medici in the 1500s. Because of the female dress fashions, the moves of men were more important than those of women. Women’s feet movements could barely be seen underneath their long skirts. Full skirts, elaborate wigs, and later corsets further hampered women’s dance. High heels worn by both men and women restricted jumping, as landing was precarious
今天执行的芭蕾与它的起源有很大的不同。 最初期限芭蕾被申请了于意大利法院的新生舞蹈。 作为行动的所有形式执行的，只有被认为可耻的妇女。 作为妇女打扮的人跳舞女性零件。 虽然芭蕾经常被认为是法语词汇，第一芭蕾却在意大利跳舞。 然而，当芭蕾进步了，法国人成为了现代的芭蕾舞剧的创新者。 芭蕾的French形式介绍了男人和妇女的芭蕾。 女性舞蹈家是罕见的。 许多现代形式的移动从法院芭蕾的法国介绍凯瑟琳・委任的获得在16世纪的de Medici。 由于女性礼服时尚，男人移动起来比那些妇女重要多了。 Women’s脚运动能在他们长的裙子之下几乎看不到。 宽下摆女裙、精心制作的假发和最新束腰促进被阻碍的women’s舞蹈。 人和妇女被制约的跳跃佩带的高跟鞋，作为着陆是飘摇的。
In 17世纪，专业舞蹈团被形成了。 吉恩Baptiste Lully’s Acadamie Royal de Musique仍然存在，但是公司仍然训练了廷臣奉承者并且专家。 在阶段的表现根本地修改了芭蕾。 以前，观众观看了从三边的舞蹈家。 现在，观众在阶段前面坐了，意味对芭蕾舞蹈艺术的变动陈列舞蹈家观察从一个角度。 在17世纪末期，女性舞蹈家变得更加为人接受。 二敌手舞蹈家、Marie安・ Cupis de Carmago和Marie Salle相信妇女的改变的芭蕾。 Salle培养了她的底边，因此人们可能看到她的步法。她的鞋子上去除了鞋跟使Carmago集中展现美感的运动跳跃更加容易。