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来源：百度知道 编辑：UC知道 时间：2024/05/25 06:55:30
Culture industry is a term coined by Theodor Adorno (1903-1969) and Max Horkheimer (1895-1973), who argued that popular culture is akin to a factory producing standardized cultural goods to manipulate the masses into passivity; the easy pleasures available through consumption of popular culture make people docile and content, no matter how difficult their economic circumstances. Adorno and Horkheimer saw this mass-produced culture as a danger to the more difficult high arts. Culture industries may cultivate false needs; that is, needs created and satisfied by capitalism. True needs, in contrast, are freedom, creativity, or genuine happiness. Herbert Marcuse was the first to demarcate true needs from false needs
是阿多诺（1903-1969）和麦克斯（1895-1973）造出了文化产业这个词，他们阐述说通俗文化就好比工厂制造的标准化的文化产品用来控制大众的思想使其麻木；在对通俗文学的消费的过程中，廉价的快感使人们温顺变的很容易满足，以至于无视自己的现实经济水平。阿多诺和霍克黑墨认为那些大规模的廉价的通俗文化产品对于深奥高深的艺术产生的巨大的威胁，即在资本主义的物质生活中人们的物质需要被创造并被满足，以至于无视精神方面升华。
然而正相反，人们真正需要的是对自由，创造和内在的快乐感。马修斯在这方面有着革命家似的划分界限的行为。
文化产业是Theodor Adorno (1903-1969) 和 Max Horkheimer (1895-1973）发明的新术语。他们认为大众文化如同工厂一样，产生标准化的文化产品让人被动接受，使人愉悦、温顺、安于现状，无论其经济状况如何。Adorno 和Horkheimer将大众文化泛滥视为对高雅艺术的威胁。文化产业可能滋生“伪需求”，为资本主义所引发和消费。而“真需求”是自由，创造力和真挚的快乐。Herbert Marcuse 首先把“真需求”从“伪需求”中划分出来。